![]() Cham: Palgrave Macmillan.ĭuPlessis, Rachel Blau. Palgrave Studies in Adaptation and Visual Culture. In Queer/Adaptation: A Collection of Critical Essays, ed. Reading for the Plot: Design and Intention in Narrative. London New York: Penguin Books.īrooks, Peter. Chicago: University of Chicago Press.īordwell, David. ![]() ![]() Tradition Counter Tradition: Love and the Form of Fiction. In this chapter, the authors focus on how love works within narrative progression and audience obsession to queer its own story, especially in its powers of resolution and closure. Narratives’ impulses to keep retelling plots animated by concerns of love is an ongoing project to diversify its forms and expand its boundaries. Readers are drawn to love plots in part because, while lived experience might warn us that love is scarce and possibly insufficient, each retelling sparks hope that we just haven’t got it right … yet. The authors outline how love occupies a unique position in narrative progression in its ability to initiate plot sustain narrative and end stories. ![]() Given that the question of how love signifies in narrative is ever-evolving, in “Queering Love: Love in Literary and Media Studies,” Dudek, Wexler, and Visosevic explore some non-conventional ways love is plotted in contemporary narratives including novels, films, and serial television for teens. ![]()
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